Welcome to the website dedicated to literary devices (literary terms). Here you will find a list literary devices (literary terms) with definitions and examples. Please feel free to post your thoughts and vote on your favorite literary device.
In literature, one of the strongest devices is imagery wherein the author uses words and phrases to create “mental images” for the reader. Imagery helps the reader to visualize and therein more realistically experience the author’s writings. The usage of metaphors, allusions, descriptive words and similes amongst other literary forms in order to “tickle” and awaken the readers’ sensory perceptions is referred to as imagery. Imagery is not limited to only visual sensations, but also refers to igniting kinesthetic, olfactory, tactile, gustatory, thermal and auditory sensations as well.

The gushing brook stole its way down the lush green mountains, dotted with tiny flowers in a riot of colors and trees coming alive with gaily chirping birds.

In literature the internal rhyme is a practice of forming a rhyme in only one lone line of verse. An internal rhyme is also known as the middle rhyme because it is typically constructed in the middle of a line to rhyme with the bit at the end of the same metrical line.

The line from the famed poem Ancient Mariner, “We were the first that ever burst”.

The term ‘inversion’ refers to the practice of changing the conventional placement of words. It is a literary practice typical of the older classical poetry genre. In present day literature it is usually used for the purpose of laying emphasis this literary device is more prevalent in poetry than prose because it helps to arrange the poem in a manner that catches the attention of the reader not only with its content but also with its physical appearance; a result of the peculiar structuring.

In the much known and read Paradise Lost, Milton wrote:

“Of Man's First Disobedience, and the Fruit

Of that Forbidden Tree, whose mortal taste

Brought Death into the World, and all our woe,

With loss of Eden, till one greater Man

Restore us, and regain the blissful Seat,

Sing Heav'nly Muse. . .”

The use of irony in literature refers to playing around with words such that the meaning implied by a sentence/word is actually different from the literal meaning derived. Often, irony is used to suggest the stark contrast of the literal meaning being put forth. The deeper, real layer of significance is revealed not by the words themselves but the situation and the context in which they are placed.

Writing a sentence such as, “Oh! What fine luck I have!”. The sentence on the surface conveys that the speaker is happy with their luck but actually what they mean is that they are extremely unhappy and dissatisfied with their (bad) luck.

In literature, juxtaposition is a literary device wherein the author places a person, concept, place, idea or theme parallel to another. The purpose of juxtaposing two directly/indirectly related entities close together in literature is to highlight the contrast between the two and compare them. This literary device is usually used for etching out a character in detail, creating suspense or lending a rhetorical effect.

In Paradise Lost, Milton has used juxtaposition to draw a parallel between the two protagonists, Satan and God, who he discusses by placing their traits in comparison with one another to highlight their differences.

The use of Kennings in literature is characteristically related to works in Old English poetry where the author would use a twist of words, figure of speech or magic poetic phrase or a newly created compound sentence or phrase to refer to a person, object, place, action or idea. The use of imagery and indicative, direct and indirect references to substitute the proper, formal name of the subject is known as kennings. The use of kennings was also prevalent in Old Norse and Germanic poetry.

Kennings are rare in modern day language. Here are a few examples from Beowulf:

Battle-sweat = blood
Sky-candle = sun
Whale-road = ocean
Light-of-battle = sword

Malapropism in literature refers to the practice of misusing words by substituting words with similar sounding words that have different, often unconnected meanings, and thus creating a situation of confusion, misunderstanding and amusement. Malapropism is used to convey that the speaker/character is flustered, bothered, unaware or confused and as a result cannot employ proper diction. A trick to using malapropism is to ensure that the two words (the original and the substitute) sound similar enough for the reader to catch onto the intended switch and find humor in the result.

In the play Much Ado About Nothing, noted playwright William Shakespeare’s character Dogberry says, "Our watch, sir, have indeed comprehended two auspicious persons." Instead, what the character means to say is “"Our watch, sir, have indeed apprehended two suspicious persons."

Metaphors are one of the most extensively used literary devices. A metaphor refers to a meaning or identity ascribed to one subject by way of another. In a metaphor, one subject is implied to be another so as to draw a comparison between their similarities and shared traits. The first subject, which/who is the focus of the sentences is usually compared to the second subject, which is used to convey/carry a degree of meaning that is used to characterize the first. The purpose of using a metaphor is to take an identity or concept that we understand clearly (second subject) and use it to better understand the lesser-knownelement (the first subject).

“Henry was a lion on the battlefield”. This sentence suggests that Henry fought so valiantly and bravely that he embodied all the personality traits we attribute to the ferocious animal. This sentence implies immediately that Henry was courageous and fearless, much like the King of the Jungle.

Metonymy in literature refers to the practice of not using the formal word for an object/subject and instead referring to it by using another word that is intricately linked to the formal name/word. It is the practice of substituting the main word with a word that is closely linked to it.

When we use the name “Washington D.C” we are talking about the U.S’ political hot seat by referring to the political capital of the United States because all the significant political institutions such as the White House, Supreme Court, the U.S. Capitol and many more are located her. The phrase “Washington D.C.” is metonymy for the government of the U.S. in this case.

The literary device ‘mood’ refers to a definitive stance the author adopts in shaping a specific emotional perspective towards the subject of the literary work. It refers to the mental and emotional disposition of the author towards the subject, which in turn lends a particular character or atmosphere to the work. The final tone achieved thus is instrumental in evoking specific, appropriate responses from the reader.

In Erich Segal’s Love Story, the relationship of the two protagonists is handled with such beauty, delicateness and sensitivity that the reader is compelled to feel the trials and tribulations of the characters.

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