Welcome to the website dedicated to literary devices (literary terms). Here you will find a list literary devices (literary terms) with definitions and examples. Please feel free to post your thoughts and vote on your favorite literary device.
The literary device ‘motif’ is any element, subject, idea or concept that is constantly present through the entire body of literature. Using a motif refers to the repetition of a specific theme dominating the literary work. Motifs are very noticeable and play a significant role in defining the nature of the story, the course of events and the very fabric of the literary piece.

In all the famed fairytales, the motif of a ‘handsome prince’ falling in love with a ‘damsel in distress’ and the two being bothered by a wicked step-mother/ evil witch/ beast and finally conquering all and living ‘happily ever after’ is a common motif.

Another common motif is the simple, pretty peasant girl or girl from a modest background in fairytales discovering that she is actually a royal or noble by the end of the tale.

The use of negative capability in literature is a concept promoted by poet John Keats, who was of the opinion that literary achievers, especially poets, should be able to come to terms with the fact that some matters might have to be left unsolved and uncertain. Keats was of the opinion that some certainties were best left open to imagination and that the element of doubt and ambiguity added romanticism and specialty to a concept.

The best references of the use of negative capability in literature would be of Keats’ own works, especially poems such as Ode on a Grecian Urn and Ode to a Nightingale.

In literature, the use of a nemesis refers to a situation of poetic justice wherein the positive characters are rewarded and the negative characters are penalized. The word also sometimes refers to the character or medium by which this justice is brought about as Nemesis was the patron goddess of vengeance according to classical mythology.

In the popular book series Harry Potter, the protagonist Harry Potter is the nemesis of the evil Lord Voldemort.

The term ‘onomatopoeia’ refers to words whose very sound is very close to the sound they are meant to depict. In other words, it refers to sound words whose pronunciation to the actual sound/noise they represent.

Words such as grunt, huff, buzz and snap are words whose

pronunciation sounds very similar to the actual sounds these words represent. In literature such words are useful in creating a stronger mental image. For instance, sentences such as “the whispering of the forest trees” or “the hum of a thousand bees” or “the click of the door in the nighttime” create vivid mental images.

Oxymoron is a significant literary device as it allows the author to use contradictory, contrasting concepts placed together in a manner that actually ends up making sense in a strange, and slightly complex manner. An oxymoron is an interesting literary device because it helps to perceive a deeper level of truth and explore different layers of semantics while writing.

Sometimes we cherish things of little value.
He possessed a cold fire in his eyes.

A paradox in literature refers to the use of concepts/ ideas that are contradictory to one another, yet, when placed together they hold significant value on several levels. The uniqueness of paradoxes lies in the fact that a deeper level of meaning and significance is not revealed at first glace, but when it does crystallize, it provides astonishing insight.

High walls make not a palace; full coffers make not a king.

Pathetic fallacy is a type of literary device whereby the author ascribes the human feelings of one or more of his/her characters to non-human objects or nature or phenomena. It is a type of personification, and is known to occur more by accident and less on purpose.

The softly whistling teapot informed him it was time for breakfast.

In literature, the concept of a periodic structure refers to a particular placement of sentence elements such as the main clause of the sentence and/or its predicate are purposely held off and placed at the end instead of at the beginning or their conventional positions. In such placements, the crux of the sentence’s meaning does not become clear to the reader until they reach the last part. While undeniably confusing at first, a periodic structure lends a flair of drama and romanticism to a sentence and is greatly used in poetry.

Instead of writing, “brokenhearted and forlorn she waited till the end of her days for his return” one may write, “for his return, brokenhearted and forlorn, waited she till the end of her days”.

The term ‘periphrasis’ refers to the use of excessive language and surplus words to convey a meaning that could otherwise be conveyed with fewer words and in more direct a manner. The use of this literary device can be to embellish a sentence, to create a grander effect, to beat around the bush and to draw attention away from the crux of the message being conveyed.

Instead of simply saying “I am displeased with your behavior”, one can say, “the manner in which you have conducted yourself in my presence of late has caused me to feel uncomfortable and has resulted in my feeling disgruntled and disappointed with you”.

Personification is one of the most commonly used and recognized literary devices. It refers to the practice of attaching human traits and characteristics with inanimate objects, phenomena and animals.

“The raging winds”

“The wise owl”

“The warm and comforting fire”

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